Ghana Film Sector Seeks GHS 10 Billion Boost From South African Migration

    Filmmaker Leila Djansi advocates for strategic investments to capitalize on regional shifts, aiming for a significant economic and cultural impact.

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    Ghana's film industry has a notable opportunity for expansion, potentially attracting significant international investment and job creation, according to Ghanaian filmmaker Leila Djansi. This opportunity arises from recent concerns about xenophobia in South Africa, which led to the repatriation of some Ghanaians. Djansi believes this situation strategically positions Ghana to become a leading production destination for Black stories and global film projects.

    This shift could see Ghana attracting more film productions, especially if South Africa's environment becomes less welcoming to Black migrants. Djansi emphasizes the economic potential, stating that Ghana could become a serious production base. This would move beyond cultural impact to generate substantial economic benefits through increased foreign direct investment and job creation within the creative sector.

    This development aligns with Ghana's broader efforts to boost its creative industries as a pillar of economic diversification. The government has previously expressed interest in supporting arts and culture for job creation and revenue generation. Leveraging concerns in a regional economic competitor like South Africa could accelerate these ambitions significantly. Data from the Ghana Statistical Service indicates the creative arts contribute approximately 2% to Ghana's Gross Domestic Product, a figure which could rise with strategic industry growth.

    Filmmaker Leila Djansi explicitly called for decisive government action. She outlined specific measures for growth, including film incentives, tax rebates, and comprehensive training programmes. She also stressed the need for significant investment in equipment, suggesting partnerships with countries like Turkey and the United Arab Emirates to meet production demands while Ghana develops its own infrastructure. Djansi stated, "This is the moment for Ghana's film industry to position itself."

    The successful implementation of these strategies could lead to a robust, self-sustaining film ecosystem. This includes training skilled crew members, ensuring access to modern equipment, and establishing reliable production systems. If sustained over five years, Ghana could truly become a hub for global Black cinema, generating GHS 10 billion annually in economic activity. Decision-makers and investors need to watch closely for policy announcements and investment pipelines directed towards the creative industry. The market will react positively to any tangible steps taken to foster this potential economic boom.

    Djansi further urged authorities to focus on practical, hands-on training and equipment support. She suggested channeling government grants into businesses that provide equipment and direct, skills-based training rather than only workshops. Improved infrastructure, including better roads and healthcare, is also critical for attracting and retaining major international productions. These foundational elements ensure Ghana is prepared to meet the emerging opportunity effectively.

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