A contemporary dance theatre production staged by Vivies Dance and Theatre Academy is drawing national attention. The performance, titled Addiction, has emerged as a significant event on Ghana’s creative arts scene. Two premieres of the show attracted more than 2,000 patrons.
The production challenges narrow views of addiction. It explores struggles beyond drugs and alcohol. Through dance, music, and storytelling, it highlighted issues affecting many young people. These include social media obsession, gambling, and toxic relationships. Fashion addiction, sex, power, and unhealthy coping mechanisms were also featured.
The performance was organised by the academy’s senior dance group. It was in partnership with DLP. The Creative Arts Agency and Unichem provided support. The production used emotional theatrical expression. It exposed the pain and loneliness driving destructive behaviours among the youth.
Vivian Boateng, Chief Executive Officer of the academy, stated the inspiration came from personal experience. She discovered her own phone addiction while starting her business. This realization opened her eyes to widespread addiction across age groups. She noted that addiction is now a part of modern life. Many people do not recognize their own struggles.
The production was designed as a wake-up call. Its target audience includes parents, schools, and policymakers. Boateng stated, "The youth are drowning in all forms of addiction." She emphasized a silent struggle with social media, gambling, and unhealthy relationships. Many find it difficult to break free.
Dance was chosen as the primary medium. Boateng explained its strong connection with young people. "Through dance and theatre, we can create awareness, provoke reflection, and advocate for support systems," she said. The production followed an emotional arc. It depicted temptation, entrapment, awareness, healing, and freedom.
Audience members were deeply moved by the performances. Performers translated pain, pressure, and loneliness into expressive movement. Omoyemi Davies, lead choreographer and Academy Captain, shared insights. He noted that students’ reactions after the first show revealed the problem’s depth. "The comments and questions from students after the first show were heartbreaking," he stated. He observed that many young people battle addiction with no one to talk to.
Davies called for increased investment in socially impactful productions. He urged government agencies and corporate organisations to support such initiatives. "Productions like this are necessary because they give people the courage to confront these realities," he added. The production has evolved beyond a stage performance. It now serves as a call for awareness, empathy, and support for young people facing addiction.